DAY 83:

DAY 83:

I wrote this essay for the podcast I co-host. If you would like to listen to me read it, please follow this link.
This is a story of juxtaposition, not judgment—of presentation, not character. This story is not about tattoos, piercings, or other modifications, nor does it concern itself with plastic surgery, Botox, hair, makeup, or clothes. What I am talking about is skin, human skin. Aging human skin.
Aging human skin is not shameful. It is not a punishment. It is not an albatross hanging off of our increasingly wrinkled necks.
We live with our faces; we live in our bodies.
Aging is an action.
That is normal, that is healthy. Skin is not decorous; it is a hard-working, highly-functioning organ. It will eventually crease.
As long as we live, we age. This is an inescapable fact of existence.
We lament the aging process when what we should be lamenting is that women are not allowed to look like they age. How unkind, unrealistic, and misguided.
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Aging is a study of shifting perspectives. We are not meant to look 20, or 35, or 60, forever. The use of apps, Photoshop, and filters has us believing otherwise.
Social media hypnotizes us with its ubiquity and lulls us into accepting its rapidly changing aesthetic standards as our long-held collective reality. We gasp in protest—maybe—then pretend that all is normal. That things were always this way, or, at least, should be this way. But this is not Shangri-La. No matter how much we filter ourselves further from reality, we will still wake up inhabiting our skin, wrinkles, and all.
While scrolling through Instagram recently, I saw two magazine covers in my feed. Back-to-back. They were for different iconic publications. Image number one featured a fifty-something entertainer. Technically, she looked fantastic but, upon second glance, was blatantly Photoshopped into some weird non-human fantasy realm where imperfection does not exist. Her skin was a glossy mask—entirely free of wrinkles, pores, and blemishes. This, it must be said and said forcefully, is not even a beauty or fashion periodical but a widely read general interest weekly. In one of the most bizarre hazards of modern life, we are forgetting what real skin looks like. We’ve already lived in this “new” normal long enough that we do not always instantly recognize what is happening. For younger people, there is scarcely a before to ponder. Social media is full of teens and twenty-somethings bemoaning the state of their skin. The most vocalized issue is the appearance of any texture. What they see in the mirror differs radically from the artificiality promoted on apps.
We are trying our damnedest to meet standards that do not exist away from our screens. How quickly we have been duped into thinking that filtered images are in any way true to how people look.
Image number two was a different matter. Vogue Italia. October 2023. Isabella Rossellini, photographed by Zhong Lin, with every wrinkle intact. 71 years old and as arresting as a Renaissance painting. Owning her age. Powerful. Forceful. Beautiful. Vulnerable. Unapologetic. But I do not need to tell you how to feel. Much like when confronting the individuality of impasto on a portrait, you will be moved by your own emotions.
Isabella wrote on her Instagram page that she felt “some trepidation” in sharing this un-retouched photo on the world stage. A move so bold is likely the result of years of grappling with the subject and of living as a woman growing older under an unrelentingly bright spotlight.
Ultimately, this is not about beautiful people aging beautifully. It goes deeper to the core of what it means to continue existing VISIBLY in a world that thinks you should disappear from relevance because you have the guts to be comfortable in your wrinkled skin.
Age does not need to be retouched, warped, or annihilated to be accepted. It can just be.
We saw Richard Lloyd (co-founder of iconic band Television) in concert last night!

Richard Lloyd

Richard Lloyd @ Ace of Cups. 8.19.18.
It was epic.
This is another Coles Phillips-illustrated advertisement for Sheaffer fountain pens. It appeared in Motion Picture Classic in 1920.

I Call It My True Companion by Coles Phillips, 1920

Fictional characters. Sometimes you like them, sometimes you loathe them, and sometimes you’re half in love with them. Want to get to know someone in a hurry? Swap character crush stories; it’s the ultimate icebreaker!
Reel Infatuation is a reader participation virtual cyclopedia of character crushes. It’s a symbiotic, interactive platform built on the old-fashioned notion of give-and-take. We want to hear all about your film, television, and literary loves! Are your stories sweet, silly, embarrassing, or seemingly inexplicable? Share ’em! First crushes, old crushes, new crushes? Bring ’em on! You show us yours, and we’ll show you ours!

Our goal is to share as many character crush stories with as many people as possible. Think of it as a continuing conversation joined by thousands of voices from around the world: you’ll laugh, you’ll cry, and you’ll occasionally be totally confused. Sounds fun, doesn’t it?
Reel Infatuation is comprised of this fabulous introductory blogathon, a website, Facebook page, and Twitter account. All stories will be cross-posted in order to maximize the fun! After the (first annual) blogathon is over, we’ll keep the party going on all of the other platforms.
THE REEL INFATUATION BLOGATHON…
IT’S IN THE DETAILS:

After signing up for the blogathon, be sure to grab a banner or two!
SIGN UP HERE:
PARTICIPANT LIST:
We (myself and my partner-in-pop-culture, Ruth* of Silver Screenings) are incredibly excited to share this project with you! If you think it sounds half as fun as we do, please spread the word! On that note…
JOIN THE CONVO TODAY!
In addition to the blogathon, you may submit your stories at any time via email, Facebook message, directly to our Facebook wall, or by tweeting! (We will take care of the cross-posting duties.) Please include the following information:
We ask that you keep your non-Twitter/non-blogathon posts to a maximum of 300 words each. There is no cap on how many stories you may share! Keep ’em coming!
Contact info:
Help us break the Internet, and all things pop culture, by spreading the word about Reel Infatuation. Thanks for being awesome.
*Kudos to Ruth for making the beautiful blogathon banners!
A totally unexpected, early Christmas gift from The Chef:

The Secret History of Wonder Woman by Jill Lepore
Elinor Glyn, who forever changed the popular culture landscape by ballyhooing the concept of It, was born on 17 October 1864.

Elinor Glyn
A QUOTE: “Everything that I write will be signed with my name.”
SOME WORKS: Beyond the Rocks; Three Weeks; Three Things; Love’s Blindness; ‘It’ and Other Stories
A KEEPSAKE:

Elinor Glyn’s Man and Maid Movie Still Book at Backwoods Treasure Antiques. $26.95
Although I’m feeling anything but invincible these days, I still think this Wonder Woman mural decorating a wall in the women’s restroom at the High Beck Tavern in Columbus is pretty amazing!

Wonder Woman Mural
“The world breaks everyone and afterward many are strong at the broken places.”-Ernest Hemingway, A Farewell to Arms
“You have power over your mind-not outside events. Realize this, and you will find strength.”-Marcus Aurelius
Ten of the many reasons I am glad there is a major disconnect between film and reality.
10 Movies That Make Writing Look Incredibly Dangerous [courtesy of Flavorwire]