Thelma and the Sleaze are coming for you Gunning down the highway With guitars in their eyes, like stars Bigger than life Full of that '70s swagger B-movie queens on the rise Heading to your town Gonna take it over They'll charm your women and drink your booze Yeah, these chicks do it up right Night after night on the stage Leaving nothing behind but your dreams They won't stop Even when there's nothing left to give Gonna conquer the world while you weep Bigger than life Full of that '70s swagger B-movie queens on the rise Thelma and the Sleaze are coming for you Gunning down the highway With guitars in their eyes, like stars
DISCLAIMER: I fucking curse in this review, so beware! I know, I know. Why is a dainty book nerd like myself wielding profanity? I am a many-petaled sunflower, okay?
While y’all are sitting around watching Super Bowl LIII, I’m listening to Thelma and the Sleaze and drinking cheap booze. In other words: when it comes to gen-u-ine American pleasure, I’ve got you beat by yards.
Wait, who? Thelma. and. the. Sleaze. Remember those words. You’ll want to remember my name, too, so you know who to thank later. You’re welcome, by the way.
LG and LG’s Pals.
Queens of Rock.
From Nashville, Tennessee.
You’ve gotta see ’em live. That’s imperative.
As musicians, they kick ass all over any stage brave enough to hold them.
LG is the eye of this hurricane. She’s raunchy, rowdy, and fucking hilarious. But, she doesn’t do it alone: everyone up there with her is worth the price of admission any damn gig they play. R-E-S-P-E-C-T.
Their energy is its own entity. Ultimately, you need to be in the same room as that shit to understand its pull. Trust me on this. I could describe a TATS show down to the smallest sweaty detail, until you felt fucking transported to that place and time. Virtual Reality Level: 10. It still won’t do it justice.
Fortunately, there’s something that is closer than anything short of seeing them live.
That’s a magic word, right there.
Your ticket to TATS nirvana.
What is a RELIX?
Oh, hey! Thanks for asking. It’s just…the best.
“Officially” (via LG on Facebook) RELIX is an “open concept not album.”
Or (in my-speak): it’s a sixteen-song treasure box whose contents keep changing.
I bought version two on Friday, when it was still pay-what-you-want-or-can. By the time you’re reading this, it will cost $217.00 or an original poem. But, probably not. Or, maybe. See, it’s that kind of exchange. Elastic, symbiotic, fiercely creative. Ya know, art. The real deal, brought to you by demos recorded, I believe, at home, and left unmastered.
Imagine trying to bluff your way into a hip stranger’s house party. You’re a bit shaky at the prospect: dry mouth, moist palms. “Do people really do this kind of thing? Is it normal? Am I an idiot for even trying?” You ring the bell. The door flings wide. Maybe you manage a few mumbly words of greeting. Nothing you say matters, though, as you discover there was no reason to worry about being caught and called out for trespassing. You weren’t invited, because no one was: everyone’s welcome, the food and drinks are plentiful, the conversation is actually interesting. Better yet? Some richly talented chicks are hanging out in the living room, playing lit-as-hell songs. As you wander from room to room, meeting new people, getting wasted together, you keep hearing the musicians as they run through a bunch of songs. Sometimes the music is loud, sometimes the music is low, but it’s always radically compelling. Of all the waves in the universe to inhabit, everyone in the house is sharing the same one. (Except for Janet, who has shit taste in music. Fuck Janet.) What are the odds? (That’s rhetorical. I’m not a statistician, so please don’t come at me with your fancy numbers. Also: I don’t care.)
The party breaks-up. People go back to their lives. The only remnant of that night, aside from a short-lived collective hangover, is the whisper of “Oh, my God! Have you heard of this band?” to friends and strangers alike.
That’s the joy of RELIX.
I hope you’ll listen, and join the chorus.
So, here we are. What’s left to speak of, except for:
Mutual generosity, getting-and-giving, the vulnerable transaction between creators and consumers. Are they mere ideas, or the lifeblood of every artistic project worth a damn?
RELIX is simultaneously a gutsy experiment, a middle finger to corporatized art, and a gift to those music lovers who will, in turn, give a damn right back.
When I bought RELIX a couple of days ago, I paid xx amount of dollars of my choice. I wish that I could have paid more dosh, but, ya know, bills. The majority of my bills are due on the first of the month. That’s adult life, right? I told LG that I would write a poem to pad out my contribution. As you know, when it comes to indie artists I try to put my money where my mouth is. After all, I am one and I respect the hell out of creative types who forge their own path. Look out for my next post (which is going live in a few minutes). It, I believe, more than fulfills my promise.
THELMA AND THE SLEAZE LINKS:
I see a lot of live music. Here are some October highlights!
Sarah Shook & the Disarmers. 10.3.18 @ Ace of Cups:
Lorkin O’Reilly. 10.13.18 @ Ace of Cups:
Gruff Rhys. 10.13.18 @ Ace of Cups:
Betsy Ross. 10.23.18 @ A&R Music Bar:
Thelma and the Sleaze. 10.23.18 @ A&R Music Bar:
Thunderpussy. 10.23.18 @ A&R Music Bar:
The photos are pretty bad, but the music was awesome.
We saw Richard Lloyd (co-founder of iconic band Television) in concert last night!
It was epic.
- YOU, TOO, CAN LIVE IN NORMAN MAILER’S HOUSE [THE PARIS REVIEW]
- TOM WOLFE, STRAIGHT-ARROW VIRGINIA GENT [THE PARIS REVEIW]
- FABULOUS PHOTOS FROM NYC’S PUNK AND NO-WAVE ERA [FLAVORWIRE]
- STUNNING ILLUSTRATIONS FOR NEW EDITIONS OF ‘FAHRENHEIT 451’ AND ‘I AM LEGEND’ [FLAVORWIRE]
I’ve been busy this month, but not too busy to get my reading year off to a fairly fine start. This is typical of my reading habits, though. January is always one of my best bookish months.
This is what I’ve been up to in January, reading-wise.
BOOKS I’VE FINISHED:
- OUTSIDE THE LINES: LOST PHOTOGRAPHS OF PUNK AND NEW WAVE’S MOST ICONIC ALBUMS BY MATTEO TORCINOVICH
- JOAN CRAWFORD: THE ENDURING STAR BY PETER COWIE
- LIFE IN A MEDIEVAL CITY BY JOSEPH GIES & FRANCES GIES
- THE MYSTERY OF EVERETT RUESS BY W.L. RUSHO
- LIFE IN A MEDIEVAL CASTLE BY JOSEPH GIES & FRANCES GIES
- THE MGM STORY: THE COMPLETE HISTORY OF FIFTY ROARING YEARS BY JOHN DOUGLAS EAMES
BOOKS I’M CURRENTLY READING:
- JUBILEE HITCHHIKER: THE LIFE AND TIMES OF RICHARD BRAUTIGAN BY WILLIAM HJORTSBERG
- THE MAN WHO NEVER DIED: THE LIFE, TIMES, AND LEGACY OF JOE HILL, AMERICAN LABOR ICON BY WILLIAM M. ADLER
What are you reading this month? Please share in the comments!
I enjoyed most of the books I read in 2017, but here are 11 that, for different reasons, caught my fancy.
In no particular order, they are:
- SHAKESPEARE: THE WORLD AS STAGE BY BILL BRYSON
- SINATRA: HOLLYWOOD HIS WAY BY TIMOTHY KNIGHT
- BEAUTIFUL BOREDOM: IDLENESS AND FEMININE SELF-REALIZATION IN THE VICTORIAN NOVEL BY LEE ANNA MAYNARD
- LIFE IN A MEDIEVAL VILLAGE BY FRANCES AND JOSEPH GIES
- PAIN, PARTIES, WORK: SYLVIA PLATH IN NEW YORK, SUMMER 1953 BY ELIZABETH WINDER
- UNDER THE BIG BLACK SUN: A PERSONAL HISTORY OF L.A. PUNK BY JOHN DOE
- IN THE GREAT GREEN ROOM: THE BRILLIANT AND BOLD LIFE OF MARGARET WISE BROWN BY AMY GARY
- GRETA GARBO: THE MYSTERY OF STYLE BY STEFANIA RICCI
- WHEN PARIS SIZZLED: THE 1920S PARIS OF HEMINGWAY, CHANEL, COCTEAU, COLE PORTER, JOSEPHINE BAKER, AND THEIR FRIENDS BY MARY MCAULIFFE
- SIRENS & SINNERS: A VISUAL HISTORY OF WEIMAR FILM 1918-1933 BY HANS HELMUT PRINZLER
- THE BEST MINDS OF MY GENERATION: A LITERARY HISTORY OF THE BEATS BY ALLEN GINSBERG
What were your fave books of 2017? Please share with me in the comments.