Who needs a pillow? Not Miss Zizi Jeanmaire.

Miss Z

“Although the sphere and importance of vision were expanding at this time, to say that visual experience was becoming autonomous would be imprecise. The aesthetic of illusionism engaged viewers as embodied spectators, physically drawn into an image or alert to beat a hasty retreat. One measure of an illusion’s success was its ability to provoke a bodily response-an impulse to touch or to flee. The challenges that modern life and modern illusions presented to modern subjects were too great for vision to handle on its own.”-from the essay Seeing, Touching, Fleeing by Michael Leja (Moving Pictures American Art and Early Film 1880-1910)