
The Pilgrim by Gwen John, circa 1915.

The Pilgrim by Gwen John, circa 1915.

Robin Hood by Charlotte Harding, circa 1903.

Ophelia by John William Waterhouse, 1910.
“He rode his way with the Queen unto Joyous Gard.”

N.C. Wyeth illustration of Launcelot and Guinevere from The Boy’s King Arthur. 1922.
| The Boy’s King Arthur: Sir Thomas Malory’s History of King Arthur and His Knights of the Round Table, Edited for Boys by Sidney Lanier (New York, Charles Scribner’s Sons, 1922.) |

Autumn by Alfons Mucha, 1896

The Misses Vickers by John Singer Sargent, 1884
Georgia O’Keeffe is so intrinsically and eternally elegant that mere fashion doesn’t matter; it’s a blip on an inconsequential radar. Unlike aesthetic conformity, personal style effortlessly squashes large spans of time into nothingness.
Don’t believe me?
This image of the legendary artist is 97 years old.

Georgia O’Keeffe by Alfred Stieglitz, 1918.
There’s so much to love about this look, this vibe, this scene.
Where to start?
Fierce. Every last bit. Fierce.
The Model and the Mannequin (1873) by Giovanni Boldini* has nothing to do with dead writers, reading, writing, books, film, or any of the other usual suspects found on A Small Press Life. I just dig the painting. It’s one of those images that I’d love to jump right into; life would be interesting on that side of the canvas. Look at the colours! Look at the patterns! Look at the textures! The mannequin would have to go (burn it! burn it with fire!), but the model can stay. She’d be a fun, if unpredictable, roomie.

The Model and the Mannequin by Giovanni Boldini, 1873
*Although Giovanni Boldini is one of my favourite 19th century genre and portrait painters, every time I see his name I always think of the Erik Rhodes character from the Astaire-Rogers film Top Hat (1935): Alberto Beddini.
Alberto Beddini: “I promised my dresses that I would take them to Venice and that you would be in them!”
That’s actually a decent companion quote for this piece, isn’t it?

Drawing of Elizabeth Siddal Reading by Dante Gabriel Rossetti, June 1854
“Usually I circle around an idea, coming at it from many angles. In the process it seems to me as valid to move from abstraction towards realism and back again as it is for a poet to move from Lyric to Villanelle and back. The process of work being the discovery of the idea. Sometimes an idea which has been inchoate is defined. Sometimes and idea is inchoate–a song or a poem can help to define it. Or hold it in focus.”-Judith Rothschild, 1976 (Judith Rothschild: An Artist’s Search by Jack Flam)