[Alternative Muses] Writerly Style: Dressing for the Four Seasons with Sylvia Plath

“Style is knowing who you are, what you want to say, and not giving a damn.”-Orson Welles

Sylvia Plath is best remembered for the sharp-edged precision of her poetry: word-vessels that are hard, clear, and passionate examples of literature’s trickiest form. Her style, although of minor importance to both literary historians and laypersons, remains fresh and appealing fifty years after her death. The timeless quality of Sylvia’s wardrobe is easy to emulate, and personalize.

Four Seasons, Five Photographs, Forever Stylish:

Sylvia Plath: Spring

Sylvia Plath: Spring

 A crisp white tee, corset belt, and floaty high-waisted skirt is the perfect outfit for the windy days of spring. She finishes it off simply with lipstick and a hairpin. Typewriter: optional. [This is my favourite photograph of a writer caught in the act of writing. I’ve always envied the imagined comforts of working in a garden setting. Sun-on-skin; light, earth-tainted breeze; a lounge chair to sink wearily into for moments of reflection; a glass of lemonade nearby–just out of frame; birds in trees. Sylvia kicks that fantasy up a few rungs by being so perfectly attired, and so full of creative concentration.]

Sylvia Plath Summer

Sylvia Plath: Summer

The architectural details at the top make this bathing suit a gem. Clean lines and a good fit can turn a basic, sporty garment into something unforgettably elegant. If I had one of these in every colour, I would live at the beach. Wouldn’t you? [It’s funny how certain summer days are inexpressibly golden, when words fall off of tongues unspoken and melt on the air like dissolving grains of sand. The whole of the world, for a split second, seems beautiful and warm. Contentment emerges, as fleeting as a skittering crab. Sylvia’s expression here is surely one of those moments captured and entombed by a photograph. Serenity is the best adornment.] Continue reading

[Alternative Muses] Writerly Style: George Bernard Shaw Demonstrates How to Wear a Suit

 George Bernard Shaw wore suits almost as well as he wrote plays. Case in point:

George Bernard Shaw, 1909

George Bernard Shaw, 1909.

The hat is a nice touch.

George Bernard Shaw, 1914

George Bernard Shaw, 1914.

Hmm. This looks familiar.

George Bernard Shaw, 1946

George Bernard Shaw, 1946.

Jaunty at 90.

[Alternative Muses] Writerly Style: Françoise Sagan

“Fashions fade, style is eternal.”-Yves Saint Laurent

Françoise Sagan was the ultimate cool girl writer. If you believe that style should be effortless and detached, then she is your muse. Even today, a wardrobe like hers can take you almost anywhere, and anywhere it can’t you probably don’t want to go.

Sagan

The writer looking brilliantly modern. Oh, that skirt! That shirt! That hair!

Her uncomplicated look remains fresh more than five decades later. Who needs nail varnish and lipstick when you can look like this? She is proof that decadent lives do not need visible gilding. Continue reading

[Alternative Muses] Writerly Style: Daphne du Maurier

“Vain trifles as they seem, clothes have, as they say, more important offices than to merely keep us warm. They change our view of the world and the world’s view of us.”-Virginia Woolf, Orlando

It is difficult to avoid peddling clichés when discussing Daphne du Maurier’s personal style: there’s just something so vigorously English about her look.

Daphne du Maurier

Daphne du Maurier

See what I mean? Her fresh-scrubbed bluntness still bewitches. Whatever the truth of her routine, she looks like a woman whose morning ablutions consisted of plunging her face into a cold stream, followed by a haphazard spritz of rose-water, mirror-less application of the perfect red lipstick, and a few deep breaths. Whether she spent the day at her typewriter or traipsing through fragrant fields with clever dogs gamboling at her heels, it’s obvious that she was sartorially prepared.

 

Daphne du Maurier and family

Daphne du Maurier and family

Check out that tweedy magnificence! Doesn’t it make you want to throw out all fussiness from your wardrobe, peel away the unnecessary layers of routine, to streamline, distill, simplify? That is one powerfully chic, easy, wearable silhouette. A put-it-on-and-forget-about-it-yet-look-better-than-everyone-else type of ensemble.

Daphne du Maurier at work

Daphne du Maurier at work

I don’t know many writers who look this crisply put together on the job, myself included. Yet, typewriter or no, she looks like a writer should look, doesn’t she? Serious, simply adorned, polished, comfortable. Ready to work, to create, to sweat it out, to answer an unexpected knock at the door without shame or a mad scramble for something suitable to wear. Every image of du Maurier seems to scream, “That, that was a woman who knew how to live.”

DAPHNE DU MAURIER (1907-1989)

SOME WORKS:

  • The Loving Spirit (1931)
  • Jamaica Inn (1936)
  • Rebecca (1938)
  • Frenchman’s Creek (1941)
  • Hungry Hill (1943)
  • My Cousin Rachel (1951)
  • Mary Anne (1954)
  • The Birds and Other Stories (1963)
  • Not After Midnight (1971)

“Writers should be read, but neither seen nor heard.”Daphne du Maurier