Ajar is a sacred word by Alicia Austen (MY FRONT DOOR Series)

My poem is featured on Silver Birch Press! Check it out.

Silver Birch Press

AustenDoorAjar is a sacred word
by Alicia Austen

Ajar is
a sacred word
now
that it is necessary to be noncommittal

Houses stand
erect and
old
shut like
fists
except
where breezes enter through open orifices
and private sounds
escape
above empty sidewalks

Looking out
from my armored entry,
I close my eyes
in order to picture what I do not see—
people walking past
wheels moving
a mass of
artificial
colors
flickering in sunlight

Is this why we–
periodically–
consecrate the mundane?
Does strife
imbue it
with special powers
until
it shines like
molten wax?

If a neighborhood is an entity—
silence anarchy—
what is humanity,
but a movie projected at the wrong speed
one step ahead
or
behind
reality

AustenNOTE FROM THE AUTHOR: I write things as I see them, which means avoiding the literal at all costs while embracing oddness, layers, and complexity. My goal is to…

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The Ballad of Thelma and the Sleaze

Thelma and the Sleaze are coming for you
Gunning down the highway
With guitars in their eyes, like stars

Bigger than life
Full of that '70s swagger
B-movie queens on the rise

Heading to your town
Gonna take it over
They'll charm your women and drink your booze

Yeah, these chicks do it up right
Night after night on the stage
Leaving nothing behind but your dreams

They won't stop
Even when there's nothing left to give
Gonna conquer the world while you weep

Bigger than life
Full of that '70s swagger
B-movie queens on the rise

Thelma and the Sleaze are coming for you
Gunning down the highway
With guitars in their eyes, like stars

The God Pan

Pan with Us by Robert Frost

Statue of Pan

Statue of Pan. Kingwood Center.

Pan came out of the woods one day,–
His skin and his hair and his eyes were gray,
The gray of the moss of walls were they,–
And stood in the sun and looked his fill
At wooded valley and wooded hill.

He stood in the zephyr, pipes in hand,
On a height of naked pasture land;
In all the country he did command
He saw no smoke and he saw no roof.
That was well! and he stamped a hoof.

His heart knew peace, for none came here
To this lean feeding save once a year
Someone to salt the half-wild steer,
Or homespun children with clicking pails
Who see so little they tell no tales.

He tossed his pipes, too hard to teach
A new-world song, far out of reach,
For sylvan sign that the blue jay’s screech
And the whimper of hawks beside the sun
Were music enough for him, for one.

Times were changed from what they were:
Such pipes kept less of power to stir
The fruited bough of the juniper
And the fragile bluets clustered there
Than the merest aimless breath of air.

They were pipes of pagan mirth,
And the world had found new terms of worth.
He laid him down on the sun-burned earth
And raveled a flower and looked away–
Play? Play?–What should he play?

Poetry in Art: I Saw the Figure 5 in Gold by Charles Demuth

Charles Demuth’s fabulous painting, I Saw the Figure 5 in Gold, was inspired by his friend William Carlos Williams’ poem, The Great Figure.  The artwork is full of references to the poem and poet.

I Saw the Figure 5 in Gold by Charles Demuth, 1928

I Saw the Figure 5 in Gold by Charles Demuth, 1928. The Metropolitan Museum of Art, New York City.

It’s always nice to see artists inspiring other artists, especially when they work in different mediums.

The Great Figure by William Carlos Williams

[Alternative Muses] Going and Coming: Alfred, Lord Tennyson/Carole Lombard Mashup

“Dreams are true while they last, and do we not live in dreams?”-Alfred, Lord Tennyson (died 6 October 1892)

Carole Lombard, circa 1932

Circa 1932: Carole Lombard (born 6 October 1908)