Tag Archives: Movies

A Year in Books/Day 194: The 50 Most Unforgettable Actors of the Studio Era

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Lon Chaney Sr., still from The Miracle Man (1919)

Lon Chaney Sr., still from The Miracle Man (1919) (Photo credit: Wikipedia)

  • Title: The 50 Most Unforgettable Actors of the Studio Era
  • Text: Frank Miller/Foreword by Robert Osborne/Introduction by Molly Haskell
  • Year Published: 2006 (Chronicle Books)
  • Year Purchased: 2010
  • Source: Barnes & Noble clearance rack
  • About: This book is a TMC Film Guide. It is straightforward but well-done, with each actor receiving a short bio, complete with vital statistics; a breakdown of their ‘essential’ films; and behind-the-scenes trivia. It’s best for classic film neophytes or fanatics-anyone in-between will likely be bored. Among the fabulous fifty, you’ll find: Barrymore, Chaney, Colman, Garfield, Gilbert, Keaton, Kelly, Ladd, Lloyd, Muni, Poitier, Powell, Taylor, and Valentino.
  • Motivation: I’m running out of ways to say that I write about classic (especially silent) cinema and really love old movies. I even buy books that I know I am not going to learn anything from; it’s an addiction (see above).
  • Times Read: 1
  • Random Excerpt/Page 41: “What amazes audiences discovering Lon Chaney’s work for the first time, along with his impressive ability to transform his face and body, is the humanity shining through even the thickest makeup. Chaney was one of the screen’s greatest pantomime artists, a skill he developed as a child in order to communicate with his parents, both of whom were deaf.”
  • Happiness Scale: 10

[15th August Inspiration Board] Visually Inclined

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My writer’s brain requires a lot of different stimuli to keep on churning fast enough to function. A slowed down thought process is detrimental to my creativity. If you jumped out on the obvious limb and guessed that I probably have a hard time meditating, you were correct. Although I relish being alone, I do not handle quiet well. I need noise: a slightly too-loud television, a wide-faced Labrador crunching on a bone, a cat scratching on a door frame, low but audible music (The Clash or Patti Smith) pulsing from my laptop, discordantly lovely street noise breaking in through a few open windows, dogs racing and barking down the halls. Sirens. Car alarms. Screaming, skittering children. The sound of my bare feet beating against a table leg. A bus breaking to a stop. I could write with a baby squawking in my face. Noise. It’s beautiful. Continue reading →

A Year in Books/Day 191: Laurence Olivier On Acting

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  • Title: Laurence Olivier On Acting From Hamlet and Heathcliff to “Brideshead” and Marathon Man, Our Greatest Actor Candidly Discusses His Triumphant Career in an Extraordinary Examination of His Profession and Craft
  • Author: Laurence Olivier
  • Year Published: 1986 (A TOUCHSTONE BOOK)
  • Year Purchased: 1992
  • Source: A bookstore at an outlet mall.
  • About: Every actor, young or old, has something  many things to learn from Olivier. If they say otherwise, they’re just in denial. Or ignorant. Perhaps I should strike a line through that as well and replace it with the (softer?) word naive. Nah. I’ll stand by my original assessment. Let’s move on to the good stuff. Even if you don’t care about the craft of acting (and have never been silly enough to work in or, sanity forbid, train for the theatre), On Acting is really entertaining. Part autobiography, part theatre/film history, and part textbook, it is a mixture that  works. He exposes the thought processes behind his roles, but dishes enough behind-the-scenes stories to keep most people interested. It is superior to his traditional memoir, Confessions of an Actor.
  • Motivation: I was an acting student then; the cover blurb was an excellent sales person.
  • Times Read: 2 or 3
  • Random Excerpt/Page 65: “New actors, new waves, new ideas-it’s all been done before. What we forget is that every new generation is the modern man. We are only watching things repeated with different costumes, new settings, original surrounds. However we look at it, it is still the same jewel, shining from the crown, that was mined between 1564 and 1616.”
  • Happiness Scale: 10+++
    Laurence Olivier, June 17, 1939

    Laurence Olivier, June 17, 1939 (Photo credit: Wikipedia)

     

A Year in Books/Day 161: Hollywood and the Great Fan Magazines

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  • Title: Hollywood and the Great Fan Magazines
  • Editor: Martin Levin
  • Year Published: 1970/This Edition: 1991
  • Year Purchased: 1990s
  • Source: Unknown, but likely B. Dalton Bookseller
  • About: This book is a collection of articles from the heyday of film fan magazines-the 1930s. Equal parts pop culture and history (and 100% fun), it is a fascinating look at the Hollywood publicity machine in full swing at top strength. Don’t let the mostly light-hearted topics fool you: this was a serious business that helped fuel an incredibly powerful industry. The frivolity is underpinned by ruthlessness and a lot of money. It is this carefully placed juxtaposition that intrigues me. You’ll find the following articles and then some: What’s Wrong With Hollywood Love; What I Will Tell My Baby; Charlie Chaplin’s Kids; Four Rules of Married Love; Career Comes First With Loretta; I’m No Gigolo! Says George Raft; I Want to Talk About My Baby!; The Price They Pay For Fame; Mystery Tales of the Stars; The Story Jean Harlow Never Told; Tarzan Seeks a Divorce; Ronald Colman Gives the Lowdown on Himself; Watch Your Step, Ann Dvorak!; Ginger Rogers Asks, “Did I Get What I Wanted Out of Life?”; Can Hollywood Hold Errol Flynn?; and Hollywood’s Unmarried Husbands and Wives. The photos are splendid and rare.
  • Motivation: I collect movie magazines from the 1910s-1950s. As a teenager in the early 1990s, that hobby was still in my future. This book was the next best thing.
  • Times Read: A few
  • Random Excerpt/Page 42: “PRIZE CONTEST! Can You Describe Errol Flynn In ONE SENTENCE Using Just 20 Words? How proficient are you in the use of adjectives? In order to describe Errol Flynn most effectively at least three descriptive adjectives should be used. For instance, here’s a sample sentence of 20 words containing three adjectives which we think fit his type and personality: One of the most debonair and adventurous Hollywood actors is attractive Errol Flynn whose hobby is traveling in strange places.” (Ed. Note: I want to travel back in time and take this person’s job.)

    Cropped screenshot of Ann Dvorak from the trai...

    Ann Dvorak watching her step (Photo credit: Screen shot from Three on a Match via Wikipedia)

  • Happiness Scale: 9

A Year in Books/Day 156: Merchant of Dreams

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  • Title: Merchant of Dreams Louis B. Mayer, M.G.M., and the Secret Hollywood
  • Author: Charles Higham
  • Year Published: 1993 (A Laurel Book)
  • Year Purchased: 2000?
  • Source: Unknown
  • About: This is not a nice, unicorns and rainbows biography; nor does it go to great lengths to throw dirt on its subject. Any dirt tossed about was thoroughly earned by the actions of Mayer. It relies heavily on interviews with people who worked with the M.G.M. head  who, although willing to engage in breathtakingly awful antics to further his studio, made an incomparable contribution to Hollywood history. He was one of the leading architects in making it a place of mind, and not just a spot on the map. The mythology that he helped put in place is still screwing with our minds a  century later. Merchant of Dreams also succeeds in humanizing Mayer. Even if he isn’t likable or particularly respectable, he is interesting, controversial  and successful-three qualities that would make him an ideal subject for a biopic of his own.
  • Motivation: My passion for cinema history goes deeper than knowing films and their players; I love the machinations and inner workings of the entire system, down to every behind the scenes contributor–no matter how obscure or powerful. Mayer was definitely the latter.
  • Times Read: 1
  • Random Excerpt/Page 25: “Work, constant work was the Puritan solution for grief, and the young Louis B. Mayer worked desperately hard in the first months of 1914. He was determined to build himself up as a motion picture distributor, taking on all comers.”
  • Happiness Scale: 9

    English: Louis B Mayer at the "Torch Song...

    English: Louis B Mayer at the “Torch Song” movie premiere in Los Angeles, Calif., 1953 (Photo credit: Wikipedia)

A Year in Books/Day 150: Classics of the Silent Screen

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  • Title: Classics of the Silent Screen A Pictorial Treasury
  • Author: Joe Franklin
  • Year Published: 1959 (Cadillac Publishing Co., Inc.)
  • Year Purchased: 1990s
  • Source: Antique Barn at the Ohio State Fair
  • About: When this book was published in 1959, silent movies could still be glimpsed in the cultural rear view mirror. The childhood memories of those over 35 would likely have included going to the movies before talkies existed, when the only noise in the theatre came from the accompanying orchestra or fellow patrons’ coughing and munching. Classics of the Silent Screen is split into two parts, with the first half devoted to Fifty Great Films and the second to Seventy-Five Great Stars. The variety of  films and performers is more interesting than the standard roll call usually found in contemporary studies, as the fame of silent movies and their stars has dropped considerably in the last five decades. Franklin is  both a solid film scholar and an unabashedly passionate fan-the ideal combination for a movie writer. The stills that adorn the text are priceless, and add greatly to the book’s appeal. It is well worth the effort to track this one down.

    Betty Bronson

    Betty Bronson (Photo credit: Wikipedia)

  • Motivation: When I bought this book, I hadn’t started writing about silent movies. I was just a young old movie fan turned theatre student, still in the early stages of learning everything I could on the subject. This was one of the first volumes on silent cinema I owned.
  • Times Read: 4 or 5
  • Random Excerpt/Page 72: “Even Peter Pan seemed almost ordinary by comparison when, the following year, director Brenon and star Bronson teamed again to make this second adaptation from Barrie. One of the loveliest and most poignant films ever screened, it was, sad to relate, a flop at the box office-putting an immediate end to further follow-ups.”
  • Happiness Scale: 10

A Year in Books/Day 145: Marilyn-The New York Years

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  • Title: Marilyn-The New York Years
  • Author & Photographer: Sam Shaw
  • Year Published: 2004 (Lardon)
  • Year Purchased: 2004
  • Source: Unknown, but it was in conjunction with a show of Sam Shaw’s Marilyn photographs.
  • About: Sam Shaw was a photographer who also worked as a movie producer (most notably on several John Cassavetes films). He was a long-time close friend of Marilyn Monroe, and acted as the still photographer on The Seven Year Itch (1955). After her famous move to New York City to study acting with Lee Strasberg, during which time she married playwright Arthur Miller, Sam Shaw took up his camera to capture his friend at her luminous best. The trust she felt for Shaw is apparent: whether candid or posed, there is an ease and casual glamour to most of the images not seen since her earlier modeling work with Andre de Dienes. It is a beautiful coffee table volume that allows the photography to shine; the text is limited to a few brief quotes by Shaw and Monroe.
  • Motivation: Sam Shaw is my favourite Marilyn photographer; many of the images in this book were never-before-published. Win-win.
  • Times Read: A few
  • Random Excerpt/Page 4: “Eventually, Marilyn found herself in the business of being a superstar. She became a business woman. She became a big tycoon trying to lay the law down to the Hollywood bigshots. And she nearly beat them. In today’s atmosphere, with women all over demanding more rights, she would have won hands down.”
  • Happiness Scale: 10+++

The Great Gatsby Trailer

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Call me conflicted. Go ahead, do it! I am openly ambiguous about F. Scott Fitzgerald as a writer, yet I have never been able to completely escape The Great Gatsby’s allure. Or that of Tender is the Night. Or This Side of Paradise. Or many of his short stories (I’m looking straight at you, The Diamond as Big as the Ritz). There is so much to admire, and so much to question. However, I am going to leave that for another day (as I am working on a new Fitzgerald essay). The Great Gatsby, for all of Hollywood’s money and resources, has never been satisfactorily adapted to film. The Alan Ladd/Betty Field version (directed by Elliot Nugent, 1949) and the Robert Redford/Mia Farrow iteration (directed by Jack Clayton, 1974) are both so-so. Although I write extensively on silent cinema, I have never seen the lost (?)1926 Herbert Brenon directed film starring my hometown movie star (and early Academy Award winner) Warner Baxter, with Lois Wilson as Daisy. Although a good actor, he seems entirely miscast. So much so, that I am really intrigued. Until then, we have this:

Make of it what you will. I’m not sold, but I will probably see it anyway. Unlike HBO’s Hemingway & Gellhorn, which looks so bad that my soul hurts.

A Year in Books/Day 141: Silent Players

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  • Title: Silent Players A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses
  • Author: Anthony Slide
  • Year Published: 2002 (The University Press of Kentucky)
  • Year Purchased: 2010
  • Source: Half Price Books
  • About: Most of the stars profiled in this book were forgotten within a few years of the end of the silent era; the rest-the lucky few- are mere by-words for Old Hollywood, names disconnected from faces. Leftovers from our great-Grandparents’ childhoods. Anthony Slide, over the course of a couple of decades, had the pleasure or the privilege to have met the majority of entertainers featured in this volume. Thus, Silent Players is not dry biography or weak conjecture, nor is it pure scholarship (although it has a foundation of extensive research); it is alive with personal experiences and revealing reminiscences. His passion for his subjects shines through his clear, yet keen writing. A must-have for anyone interested in silent cinema and those who graced it with their magic.

    Publicity photo of Mae Marsh from Stars of the...

    Publicity photo of Mae Marsh from Stars of the Photoplay (Photo credit: Wikipedia)

  • Motivation: Many of my favourite film performers appeared in silent movies. I write on the subject. A lot. In fact, silent movies are one of my biggest passions!
  • Times Read: 1
  • Random Excerpt/Page 127: “The number of Hollywood extras is probably in the hundreds of thousands. As early as November 1934, Photoplay reported some 17, 541 individuals registered as extras with Central Casting. Among the number of small part and bit players available at that time were former stars, including Monte Blue, Betty Blythe, Mae Marsh, and Dorothy Phillips, and silent directors, including Francis Ford, Frank Reicher and George Melford. One-time stars might become extras, but the only extra to ever be accorded the celebrity and fame of stardom is Bess Flowers.”
  • Happiness Scale: 10+++

A Year in Books/Day 132: Whatever became of…? All New Ninth Series

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  • Title: Whatever became of…? All New Ninth Series Over 100 profiles of the most asked about personalities from television series, documentaries, and movies
  • Author: Richard Lamparski
  • Year Published: 1985 (Crown Publishers, Inc.)
  • Year Purchased: 1990/1991
  • Source: Antique Barn vendor, the Ohio State Fair
  • About: The cover tag says it all, so I won’t rehash what you just read 5 lines above. The best thing about Lamparski’s series is who he focuses on: B-movie and television stars, flashes in the pan, and former A-listers who, through fickle chance, faded into obscurity instead of attaining permanent icon status.
  • Motivation: I was a teenager when I found these books at the public library. I was deep in the early rapturous phase of discovering old movies. I was also a theatre student. To this day, many of my favourite actors and actresses are the little-remembered also-rans.
  • Times Read: Countless
  • Random Excerpt/Page 74: “When her parents were cast in the touring company of No, No, Nanette Leila (Hyams) remained in New York City, studying dramatic acting while she supported herself by modeling. Oliver Clive, a noted artist of the time, called her “The Golden Girl” because of the delicate coloring of her skin and hair. According to the New York Times she was the first model to appear in advertisements for Listerine mouthwash.”
  • Happiness Scale: 9 (even in our IMDB universe)