Voices from the Grave #56: Louis Bromfield and Malabar Farm

This video is a bit different, as it does not feature the writer’s voice. It’s a documentary clip about Ohio native Louis Bromfield. He and my mom share a hometown (Mansfield). I actually lived in the area until we moved to Columbus when I was 9; several of my close family members still reside in this corner of Richland County. I grew up going to Malabar Farm, swooning equally over its Hollywood connection (Bogie and Bacall were married there) and Bromfield’s status as a major  writer (he won a Pulitzer Prize). I hope you’ll bear with me and watch the video in its entirety, as it perfectly captures this great Ohioan’s contributions to literature and film and, most importantly, the development of conservation and agriculture practices that helped save American farming.

A Year in Books/Day 223: Swanson on Swanson

  • Title: Swanson on Swanson
  • Author: Gloria Swanson
  • Year Published: 1980/This Edition: 1981 (Random House/Pocket Books)
  • Year Purchased: Mid-1990s
  • Source: Antique Barn, Ohio State Fair
  • About: “Life isn’t about finding yourself. Life is about creating yourself.”-George Bernard Shaw. Every Hollywood memoir should come with the preceding GBS quote as a disclaimer. That, or the generic perception is reality. Either will do. With that out of the way, we could get down to the important business of enjoying good Tinseltown autobiographies for what they are: damn fun entertainment. Underneath the ego and the stage-managed pathos, these one-person exercises in reputation preservation usually contain heaping amounts of self-deprecation, humor, and memorable industry anecdotes, with the self-subjects somehow, through a strange, magical process, coming across as down-to-earth and larger than life; normal and privileged; lucky and talented; flawed and beautiful. Continue reading

Inspiration Board: Everything Old is New Again

What follows is a mad cyclone of some of the oddly delectable bits and bobs setting my head and heart on fire this early November, vintage-style.

 

 

 

A Year in Books/Day 218: Max Factor’s Hollywood Glamour

  • Title: Max Factor’s Hollywood Glamour
  • Author: Fred E. Basten (with Robert Salvatore & Paul A. Kaufman)
  • Year Published: 1995 (W. Quay Hays)
  • Year Purchased: 2003/2004
  • Source: Barnes & Noble clearance rack
  • About: Max Factor isn’t just a name on wands of mascara and tubes of lipstick found in the beauty aisle at your local grocery store. The Max Factor cosmetics line wasn’t invented and branded by impersonal, slick-suited admen in a glossy boardroom. He was a pioneer who not only shaped and defined the aesthetics of classic cinema (from glamour girls to tough guys and everything in between) but he brought make-up to the masses in a way that was, and is, distinctly modern. His genius for invention and marketing, as well as his humble beginnings in Central Europe, make his story a neat parallel to those of the movie moguls who were his contemporaries. Continue reading

A Year in Books/Day 211: Leading Ladies

  • Title: Leading Ladies
  • Author: Don Macpherson
  • Year Published: 1986/This edition: 1989 (Conran Octopus Limited/Crescent Books)
  • Year Purchased: 1990s
  • Source: It was a Christmas gift from my Aunt Lauree.
  • About: This is a coffee table book, not a scholarly work. The text is nice, but not genre-shattering; it’s the standard drill for this kind of product. The images are from The Kobal Collection, so the writing stands no chance of taking first place, anyway. The whole gang is here, from Theda Bara to Doris Day, Jean Harlow to Jean Seberg, Anna Magnani to Debra Winger, represented by an array of unusually stunning photographs. Since that is the dominant reason for buying a book like this, you’ll walk away happy.
  • Motivation: I’ve been fond of old movies since I was a child.
  • Times Read: Multiple
  • Random Excerpt/Page 22: “By the time she was twenty-five, Colleen Moore was earning a weekly salary of $12,500, a reflection of her value to a studio for whom she was a highly profitable jazz baby. With her bobbed hair, cheeky face and alert eyes, she resembles to modern eyes an uncanny combination of the better remembered Clara Bow and Louise Brooks. But in the 1920s, it was Moore who was the incarnation of the twenties flapper girl.”
  • Happiness Scale: 10++
    Publicity photo of Colleen Moore for Argentine...

    Publicity photo of Colleen Moore for Argentinean Magazine. (Printed in USA) (Photo credit: Wikipedia). Here, in her post-Flapper days.

     

A Year in Books/Day 194: The 50 Most Unforgettable Actors of the Studio Era

Lon Chaney Sr., still from The Miracle Man (1919)

Lon Chaney Sr., still from The Miracle Man (1919) (Photo credit: Wikipedia)

  • Title: The 50 Most Unforgettable Actors of the Studio Era
  • Text: Frank Miller/Foreword by Robert Osborne/Introduction by Molly Haskell
  • Year Published: 2006 (Chronicle Books)
  • Year Purchased: 2010
  • Source: Barnes & Noble clearance rack
  • About: This book is a TMC Film Guide. It is straightforward but well-done, with each actor receiving a short bio, complete with vital statistics; a breakdown of their ‘essential’ films; and behind-the-scenes trivia. It’s best for classic film neophytes or fanatics-anyone in-between will likely be bored. Among the fabulous fifty, you’ll find: Barrymore, Chaney, Colman, Garfield, Gilbert, Keaton, Kelly, Ladd, Lloyd, Muni, Poitier, Powell, Taylor, and Valentino.
  • Motivation: I’m running out of ways to say that I write about classic (especially silent) cinema and really love old movies. I even buy books that I know I am not going to learn anything from; it’s an addiction (see above).
  • Times Read: 1
  • Random Excerpt/Page 41: “What amazes audiences discovering Lon Chaney’s work for the first time, along with his impressive ability to transform his face and body, is the humanity shining through even the thickest makeup. Chaney was one of the screen’s greatest pantomime artists, a skill he developed as a child in order to communicate with his parents, both of whom were deaf.”
  • Happiness Scale: 10

A Year in Books/Day 181: Legends of the Silent Screen

  • Title: Legends of the Silent Screen A Collection of U.S. Postage Stamps
  • Authors: Charles Champlin and Linda Klinger (for the United States Postal Service)
  • Year Published: 1994 (U.S. Postal Service)
  • Year Purchased: 1994
  • Source: This was a gift from my mom, received after some pleading on my part.
  • About: In 1994, the U.S. Postal Service released a set of stamps commemorating ten of the silent screen’s greatest stars (which was, itself, part of a larger series dedicated to entertainers). This book was published as a companion piece, but is good enough to stand on its own merits. The detailed individual biographies are underpinned by amazing photographs and a time-line of the first 100 years of American film history. It’s a handsome volume, and the Al Hirschfeld caricatures commissioned for the stamps render the subjects instantly recognizable. The stars covered in this volume are: Rudolph Valentino; Clara Bow; Charlie Chaplin; Lon Chaney; John Gilbert; ZaSu Pitts; Theda Bara; the Keystone Cops; Harold Lloyd; and Buster Keaton.
  • Motivation: I was already totally captivated with silent films, even at a relatively young age.
  • Times Read: A few
  • Random Excerpt/Page 39: “Film historians note that (Theda) Bara’s producer actually cast her in quite a few sympathetic-not evil-roles, knowing that after her vamp image had been accepted, the public would continue to read treachery into all her characters, regardless of their motivations.”
  • Happiness Scale: 10

    Bara in the title role as Cleopatra (1917)

    Bara in the title role as Cleopatra (1917) (Photo credit: Wikipedia)

A Year in Books/Day 170: Sophia Style

  • Title: Sophia Style
  • Author: Deirdre Donohue
  • Year Published: 2001 (Barnes & Noble Books)
  • Year Purchased: 2004
  • Source: Barnes & Noble clearance rack
  • About: In the physical sphere, Sophia Loren is everything I am not: tall, leggy, busty. Sure, we have a tiny waist in common but, on her, because of her height, it is more of a thing. Her style, on camera but especially in life, matches her features: striking, angular, and beautiful. Of course, even if she wore a potato sack (like Marilyn in that famous early cheese-cake photo) she would out-shine us all. Sophia Style examines and connects her characters’ wardrobes with her personal clothing choices, resulting in a book that is a melange of fashion, film, and personal history: it is really more interesting than it probably sounds.  Whether you love film or fashion, or are just looking to shade your brain from the reality of an ugly word for a couple of hours, it is a quick and fun read. It’s full of gorgeous photos from her first five decades in the spotlight.
  • Motivation: Sometimes I just like to look at pretty people in pretty clothes. It’s a nice break from thinking too much, which is how I usually spend approximately 95% of my waking hours.
  • Times Read: 2
  • Random Excerpt/Page 81: “(Marc) Bohan’s white slip gown in A Countess from Hong Kong is a unique creation, having an exceptional relationship to both Loren’s body and the character she portrays. This quality was requested by the director, Charlie Chaplin, as well as by Loren. Chaplin was very earnest and exacting about the countess’s look, and Loren, awed by this iconic film figure, uncharacteristically deferred wholly to his authority.”
  • Happiness Scale: 10+++
    Cropped screenshot of Sophia Loren from the fi...

    Cropped screenshot of Sophia Loren from the film Five Miles to Midnight (Photo credit: Wikipedia)

     

A Year in Books/Day 161: Hollywood and the Great Fan Magazines

  • Title: Hollywood and the Great Fan Magazines
  • Editor: Martin Levin
  • Year Published: 1970/This Edition: 1991
  • Year Purchased: 1990s
  • Source: Unknown, but likely B. Dalton Bookseller
  • About: This book is a collection of articles from the heyday of film fan magazines-the 1930s. Equal parts pop culture and history (and 100% fun), it is a fascinating look at the Hollywood publicity machine in full swing at top strength. Don’t let the mostly light-hearted topics fool you: this was a serious business that helped fuel an incredibly powerful industry. The frivolity is underpinned by ruthlessness and a lot of money. It is this carefully placed juxtaposition that intrigues me. You’ll find the following articles and then some: What’s Wrong With Hollywood Love; What I Will Tell My Baby; Charlie Chaplin’s Kids; Four Rules of Married Love; Career Comes First With Loretta; I’m No Gigolo! Says George Raft; I Want to Talk About My Baby!; The Price They Pay For Fame; Mystery Tales of the Stars; The Story Jean Harlow Never Told; Tarzan Seeks a Divorce; Ronald Colman Gives the Lowdown on Himself; Watch Your Step, Ann Dvorak!; Ginger Rogers Asks, “Did I Get What I Wanted Out of Life?”; Can Hollywood Hold Errol Flynn?; and Hollywood’s Unmarried Husbands and Wives. The photos are splendid and rare.
  • Motivation: I collect movie magazines from the 1910s-1950s. As a teenager in the early 1990s, that hobby was still in my future. This book was the next best thing.
  • Times Read: A few
  • Random Excerpt/Page 42: “PRIZE CONTEST! Can You Describe Errol Flynn In ONE SENTENCE Using Just 20 Words? How proficient are you in the use of adjectives? In order to describe Errol Flynn most effectively at least three descriptive adjectives should be used. For instance, here’s a sample sentence of 20 words containing three adjectives which we think fit his type and personality: One of the most debonair and adventurous Hollywood actors is attractive Errol Flynn whose hobby is traveling in strange places.” (Ed. Note: I want to travel back in time and take this person’s job.)

    Cropped screenshot of Ann Dvorak from the trai...

    Ann Dvorak watching her step (Photo credit: Screen shot from Three on a Match via Wikipedia)

  • Happiness Scale: 9

A Year in Books/Day 156: Merchant of Dreams

  • Title: Merchant of Dreams Louis B. Mayer, M.G.M., and the Secret Hollywood
  • Author: Charles Higham
  • Year Published: 1993 (A Laurel Book)
  • Year Purchased: 2000?
  • Source: Unknown
  • About: This is not a nice, unicorns and rainbows biography; nor does it go to great lengths to throw dirt on its subject. Any dirt tossed about was thoroughly earned by the actions of Mayer. It relies heavily on interviews with people who worked with the M.G.M. head  who, although willing to engage in breathtakingly awful antics to further his studio, made an incomparable contribution to Hollywood history. He was one of the leading architects in making it a place of mind, and not just a spot on the map. The mythology that he helped put in place is still screwing with our minds a  century later. Merchant of Dreams also succeeds in humanizing Mayer. Even if he isn’t likable or particularly respectable, he is interesting, controversial  and successful-three qualities that would make him an ideal subject for a biopic of his own.
  • Motivation: My passion for cinema history goes deeper than knowing films and their players; I love the machinations and inner workings of the entire system, down to every behind the scenes contributor–no matter how obscure or powerful. Mayer was definitely the latter.
  • Times Read: 1
  • Random Excerpt/Page 25: “Work, constant work was the Puritan solution for grief, and the young Louis B. Mayer worked desperately hard in the first months of 1914. He was determined to build himself up as a motion picture distributor, taking on all comers.”
  • Happiness Scale: 9

    English: Louis B Mayer at the "Torch Song...

    English: Louis B Mayer at the “Torch Song” movie premiere in Los Angeles, Calif., 1953 (Photo credit: Wikipedia)