Shopping for the Bookworm: NovelPoster Mini-Edition

You’ve probably seen text-based artwork by now. Although my favourite site, Etsy, has some lovely examples, today I am spotlighting a couple of images from NovelPoster. In addition to the artwork shown below, they also offer posters of Pride & Prejudice, the Odyssey, Alice in Wonderland, Huckleberry Finn and The Wizard of Oz. Enjoy!

The Great Gatsby by NovelPoster

The Great Gatsby by NovelPoster. $40.

The grey-ish background is actually comprised of the full text of the books.

20,000 Leagues by NovelPoster

20,000 Leagues by NovelPoster. $40.

Images courtesy of novelposter.com.

A Year in Books/Day 170: Sophia Style

  • Title: Sophia Style
  • Author: Deirdre Donohue
  • Year Published: 2001 (Barnes & Noble Books)
  • Year Purchased: 2004
  • Source: Barnes & Noble clearance rack
  • About: In the physical sphere, Sophia Loren is everything I am not: tall, leggy, busty. Sure, we have a tiny waist in common but, on her, because of her height, it is more of a thing. Her style, on camera but especially in life, matches her features: striking, angular, and beautiful. Of course, even if she wore a potato sack (like Marilyn in that famous early cheese-cake photo) she would out-shine us all. Sophia Style examines and connects her characters’ wardrobes with her personal clothing choices, resulting in a book that is a melange of fashion, film, and personal history: it is really more interesting than it probably sounds.  Whether you love film or fashion, or are just looking to shade your brain from the reality of an ugly word for a couple of hours, it is a quick and fun read. It’s full of gorgeous photos from her first five decades in the spotlight.
  • Motivation: Sometimes I just like to look at pretty people in pretty clothes. It’s a nice break from thinking too much, which is how I usually spend approximately 95% of my waking hours.
  • Times Read: 2
  • Random Excerpt/Page 81: “(Marc) Bohan’s white slip gown in A Countess from Hong Kong is a unique creation, having an exceptional relationship to both Loren’s body and the character she portrays. This quality was requested by the director, Charlie Chaplin, as well as by Loren. Chaplin was very earnest and exacting about the countess’s look, and Loren, awed by this iconic film figure, uncharacteristically deferred wholly to his authority.”
  • Happiness Scale: 10+++
    Cropped screenshot of Sophia Loren from the fi...

    Cropped screenshot of Sophia Loren from the film Five Miles to Midnight (Photo credit: Wikipedia)

     

Voices from the Grave #27: Cornelia Otis Skinner on What’s My Line?

This one’s a bit different. It features Cornelia Otis Skinner, co-writer (along with Emily Kimbrough) of Our Hearts Were Young and Gay, as the mystery celebrity on What’s My Line? in 1959.

If you have never read the book Our Hearts Were Young and Gay (or watched the charming film adaptation), you should go rectify that now.

 

 

 

[Intermezzo] I’m Thinking About Cleaning Out My Idea Bank

I’m thinking about cleaning out my idea bank. It is a knee-quaking concept. Ten years of scraps, plots, extracts, phrases, titles, names, research and character studies are lovingly tucked away or carelessly crammed into various crannies and boxes and drawers. They contain a lot of good ideas and solid or beautiful writing. There are threads of greatness, however frayed and dirty and dusty; there’s a lot of crap, too, or things that I have outgrown or moved past. Legal pads, notebooks, torn napkins, loose leaf paper. Written in pen, pencil, marker, lipstick. It’s all there, waiting to be addressed. Faced. Embraced or conquered. Trashed or saved. Crumpled mounds of surprise or disgust. “I’m this good?” or “What shitty shit of a writer came up with this?” It’s all conjecture, of course, as I haven’t read any of it; but I know the odds, and they are even. The summer is young, and the days are long. I can do this.

A Year in Books/Day 169: Almost There The Onward Journey of a Dublin Woman

  • Title: Almost There The Onward Journey of a Dublin Woman
  • Author: Nuala O’Faolain
  • Year Published: 2003 (Riverhead Books)
  • Year Purchased: 2005/2006
  • Source: Barnes & Noble clearance rack
  • About: I love O’Faolain’s straightforward and elegant prose style, proof that readability does not have to equal simplicity. Almost There is a follow-up to Are You Somebody, her searing and evocative first memoir. I loved it so much that I was truly giddy when I found this volume in the middle of a stack of clearance books. She is one of those naturalist prose-poets of the everyday, recounting the events of her turbulent life with warmth, grace and a total absence of pity or dramatics. Her candor is believable. True or not, it is a remarkable feat for a memoirist to achieve-and not once, but twice. To feel the full import of her story, and the rare beauty of her spare writing, I suggest reading the books back to back.
  • Motivation: Are You Somebody is one of my favourite contemporary memoirs.
  • Times Read: 1
  • Random Excerpt/Page 55: “I had waited to go on in a small dressing room, almost paralyzed with fear, because I knew my reputation and my family’s and Nell’s was going to be changed by the interview, and my standing with colleagues and bosses and former lovers and the nuns who’d taught me-anyone I could think of. But there really is such a thing as grace. It’s the word I want to use, anyway, for a rightness of behavior that kicks in out of nowhere.”
  • Happiness Scale: 8

A Year in Books/Day 168: An Unfinished Woman

  • Title: An Unfinished Woman
  • Author: Lillian Hellman
  • Year Published: 1969/This Edition: 1999 (Little, Brown and Company)
  • Year Purchased: 2003/2004
  • Source: Unknown
  • About: The Children’s Hour. The Little Foxes. Another Part of the Forest. Watch on the Rhine. The lady knew how to craft plays strong enough to withstand not only their first march across the footlights, but so brilliant as to be timeless decades later. In An Unfinished Woman-the first of three memoirs written in her twilight years-she breaks off pieces of her jaded public persona until something of the real Lillian shows through. Exactly what is anybody’s guess, but the feeling of rightness is there. Her writing is so forceful and engaging, and seemingly forthright, that it is easy to forget that any writer’s autobiography is by nature (if to varying degrees) a study in fiction. Writers are their own best characters, after all. She weaves such a fine story that the ratio of unadulterated fact to pure fiction to soaring imagination is basically immaterial. Her tale, her viewpoint, is riveting. Facts may be found elsewhere; this book is where the entertainment is located. It won the National Book Award. The foreword to this edition is by the incredible Wendy Wasserstein.
  • Motivation: I love plays. Love love them. As in, I want to go steady with them kind of love. Got it? They are my second favourite written medium. I also love weird, strong, talented, crazy-ass smart, contrary women.
  • Times Read: 1
  • Random Excerpt/Page 43: “I would like to say these many years later that I remember his questions. But I don’t, and for a good reason: he had already decided on whatever he meant to write and the questions were fitted to his decisions. So most of the time we didn’t know what he was talking about.”
  • Happiness Scale: 9

A Year in Books/Day 167: The Complete Works of William Shakespeare Volume 1 and Volume 2

  • Title: The Complete Works of William Shakespeare Volume 1 and Volume 2
  • Editors: W.G. Clark and W. Aldis Wright
  • Year Published: Unknown (Nelson Doubleday, Inc.)
  • Year Purchased: Unknown
  • Source: I swiped these from my grandparents when I was a kid.
  • About: I’ve had this set since I was in fifth grade. I remember picking through it, delicately at first, before gaining steam (and confidence) and plowing through every word. Everything. What I didn’t understand (the majority, to be sure) I loved any way. The words were so alive, magical. I could picture things, even if those images were often fuzzy or incomplete. These books are loved like few others in my collection. A decade later and I was studying Shakespearean Theatre. I no longer act (except in my head), but I still read the plays aloud. How can you not? The Bard of Avon is ever enchanting.
  • Motivation: I had already read my way through most of my elders’ books, including two sets of encyclopedias and various dictionaries and almanacs. I was 10. Shakespeare seemed like the logical next step.
  • Times Read: Unknown
  • Random Excerpt/Page 56: “Thus, with its apparent lightness, there is a serious spirit underlying the play; but the surface is all jest, and stir, and sparkle. It is a comedy of dialogue rather than of incident.”
  • Happiness Scale: 10++++
    Title page of the First Folio, 1623. Copper en...

    Title page of the First Folio, 1623. Copper engraving of Shakespeare by Martin Droeshout. (Photo credit: Wikipedia)